MATTHEW SWARTS A white sidebar lists names and numbers on the left, while the right side features a contemporary, wavy multicolored striped pattern. The number 28 is displayed in large, patterned text at the bottom of this visual sidebar.

MATTHEW SWARTS + DEAR DAVE, (ISSUE 28)

MATTHEW SWARTS + DEAR DAVE, (ISSUE 28) “Matthew Swarts has engaged in the neurology of networked computing and photography, warping information and idling in digitized distortions and chromatic discord,” writes Stephen Frailey (EDITOR, DEAR DAVE,). “The work reveals a romanticism that seems atypical for an involvement with technology. The photographs are a lattice of powdery…

MATTHEW SWARTS Two versions of the George Eastman Museum logo: one with white text on a black background, and one with black text on white. Both feature the museum name in uppercase, reflecting its role as a hub for contemporary photographer Matthew Swarts.

Matthew Swarts + George Eastman Museum (Permanent Collection Museum Purchases)

I am completely honored to announce that the George Eastman Museum in Rochester, New York has acquired two prints from The Alternatives for the museum’s permanent collection. The museum purchased Untitled, 2015, and Untitled, 2016 (pictured below). Special thanks to Lisa Hostetler, Curator-In-Charge, who organized A Matter of Memory, the exhibition which featured these works,…

MATTHEW SWARTS Exhibition poster with distorted pixel art portraits, bold text reading PHOTOGRAPHER MATTHEW SWARTS PROCESSING, and event details for Kopekin Gallery in Los Angeles, March 7–April 18, 2015.

Matthew Swarts: PROCESSING @ Kopeikin Gallery (Los Angeles)

I am thrilled to announce my first exhibition with Kopeikin Gallery (Los Angeles): Matthew Swarts: PROCESSING (Beth and the Alternatives), March 7th through April 18th, 2015. My most sincere thanks to Paul Kopeikin, whose collaboration and support for this work have made all things newly possible! Friends and followers near Los Angeles, please join me at Kopeikin…